The forgotten violence of the Cold War.

The end is the beginning, and so on forever.

Ninajirachi's 2025 album is an ode to the dreams of the future we once had.

A masterpiece of introspection from the Ann Arbor septet.

Turnstile's follow-up to GLOW ON has its merits, but lacks depth.

Take a quick look under the hood.

A surprise return from the mysterious duo.

100% Pure New Zealand

Maruja's debut is almost impeccable.

The Head Hurts but the Heart Knows the Truth.

Squid's 2025 release is a maturation of the Windmill Scene.

A strong year for music.

Alcest's 8th outing evokes a sort of neo-romanticism.

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The Black Midi frontman's first solo outing is a frenetic success.

Vegyn's warm trip-hop is a portal to the early 2000's.

A powerful return to form for the Montréal collective.

A bizarre but catchy allegory for capitalism and infinite growth.

Kafka's final, unfinished novel is an unsolvable puzzle - and that's the point.

The popular Thai island is more a theme park.

The consulting industry's poor track record is no secret, but Mazzucato and Collington's book seems to miss the bigger picture.

Hiroo Onoda's legendary story of survival and guerilla war is simultaneously frustrating and ludicrous.

Ursula K. Le Guin's masterpiece sketches out two dreams of the future.

A flawed but ultimately critical collection of writings that theorises why modern culture is so bereft of creativity.

Jack London's Alaskan odyssey is surprisingly heartfelt.

David Graeber's anthropological account of debt, money, and markets warrants a rethink in how we conceive of 'the economy'.

Guy Débord's classic work only gains relevance as time goes on.

Mark Fisher's screed on capitalism lays bare its position: as unquestioned ideology.